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Kathak Dance: Evolution, Features, Instruments & Exponents - UPSC Notes

Last Updated on Mar 18, 2025
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Kathak Dance is one of the eight classical dances in India. Kathak is a classical dance of Uttar Pradesh. It traces its origins from the Ras Leela of Brajbhuoomi. The word ‘Kathak’ comes from the Sanskrit word “Kathakar” which means a storyteller. Where a woman storyteller was referred to as “Kathika” & male storyteller was known as “Kathakar”. The Kathaks were formerly a caste of storytellers who performed in north Indian temples and adorned their acts with gestures and music. Kathak dancers convey narratives through elegant hand gestures, intricate footwork, supple body motions, and notably, powerful facial expressions that can evoke a spectrum of emotions. The evolution of Kathak can be traced back to the Bhakti movement, where it assimilated stories centered around the Hindu deity Krishna and his early years.

The topic of Kathak dance is important from the perspective of UPSC IAS examination and it falls under the General Studies Paper 1 (Preliminary) and General Studies Paper 1 (Mains) under the Indian Art and Culture section. For further information and an explanation of the topic visit UPSC CSE Coaching here!

In this article we shall discuss Kathak dance and its evolution since its origin. We will also have an insight into its salient features, the costumes used by the Kathak dancers, the musical instruments used in the dance and the famous dancers associated with Kathak dance for UPSC exam.

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GS Paper

General Studies Paper I

Topics for UPSC Prelims

Classical Dances of India

Topics for UPSC Mains

Role of Kathak in the Indian cultural and artistic landscape

What is Kathak?

Kathak, one of the eight major Indian classical dance forms, hails from Uttar Pradesh. Its origin is linked to ancient northern Indian bards called Kathakars or storytellers. "Kathak" is derived from Sanskrit, where "Katha" means "story," and "Kathakar" means "the one who tells a story" or "related to stories." Wandering Kathakars conveyed stories from epics and ancient mythology through dance, songs, and music. Kathak dancers convey tales through hand movements, intricate footwork, body flexibility, and, crucially, facial expressions.

How and Where did Kathak Originate?

The Kathak dance traces its origin back to 400 BCE to the bhakti movement and was performed in the courts of the northern Indian kingdoms. The Natya Shastra, credited to the sage Bharata, is the earliest extant document that contains the origins of Kathak.

  • Kathak emerged in the villages of North India. These Kathakkars, or storytellers, dispersed their art of storytelling from kingdom to kingdom and from village to hamlet.
  • They occasionally made temples their rest places and here they used to unwind the great epics of hindu tradition by giving it a classical touch.
    • This set the base for evolution of Kathak as a temple dance focussing on mythology and epic tales.
  • In the medieval era, Kathak dance got patronage of Persian Kings as well as the Muslim Mughals. This resulted in a shift from the temples to the royal courts and a fusion of Hindu and Islam tradition took place.
    • This also resulted in Kathak Dance being more of a classical dance which embeds within itself the rich tradition of both Hindu as well as Muslim culture rather than being a dance solely for entertainment purposes.
  • With the advent of European powers in India, Kathak Dance declined in the face of the “anti-dance” or “anti-nautch” stance of the christian missionaries. Kathak dancers were brutalized while the patronage provided to the dance was henceforth stopped.
  • However, the dance form remained alive in the hearts of the hindu households where it was practiced. Wajid Ali Shah the medieval ruler needs special mention due to his efforts in the revival of the dance form.
  • Post colonial India witnessed the resurgence of Kathak with the initiation of major Muslim and Hindu Gharanas.

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Salient Features of Kathak Dance Form

The salient features of Kathak Dance style are as under:

  • As the dance form evolved from the Natya shastra tradition, much of its technique finds roots in its tradition.
  • These include division of dance form into Nritya which is pura dance performance running from slower to faster pace performances and the other one as Natya (Abhinaya) where emphasis is on expressions.
    • The Nritta is associated with Benaras Gharana whereas the Nritya is associated with Lucknow Gharana.
  • The sequence followed in Kathak dance are:
    • Amad- the dramatic and eye-catching entrance of a dancer
    • Thaat- the gentle and elegant segment of dance
    • Tora, Tukra, and Paran- creative compositions of dance
    • Parhant- steps of soft rhythms
    • Tatkar- foot movement
      • Footwork has immense importance in Kathak dance. Apart from footwork, immense importance is placed on the body movements.
  • Though it is a solo dance, group dance has gained popularity in recent times.

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Mudras of the Kathak Dance Form

Mudras are based on the list of 24 mudras mentioned in Natyashastra or the 28 mudras mentioned in Abhinaya Darpana. The mudras used in kathak dance finds mention in Abhinaya Darpana.

  • Ardhchandra: When the thumb is separated from other fingers and extended outward, it is referred to as Ardhchandra in Pataka. On Janmashtami, it’s used to signify the moon, holding someone’s neck, praying, etc.
  • Aral: When the index finger in Pataka is bent, it is referred as Aral Hasta.
  • Pataka: This hand gesture is made by keeping all fingers straight and together and bending the thumb such that it contacts the tip of the index finger. It depicts clouds, wind, etc.
  • Tripataka: In Pataka, when the ring finger is bent, it is known as Tripataka. It depicts a crown, tree, etc.
  • Ardhpataka: When the little finger is bent in tripataka hasta, it becomes Ardhpataka. It is used to depict leaves, flags, etc.
  • Kartarimukh: When the index finger and little finger are spread in ardhapataka, it is Kartarimukh. It depicts men and women, the corner of the eye, separation, etc.
  • Padmakosh: When all the fingers are spread whilst facing inwards it is known as Padmakosh. It depicts fruit, balls, buds, etc.
  • Sarpsheesh: In Pataka, when the fingers are bent slightly, it becomes a Sarpsheesh mudra.
  • Mrigasheesh: In Sarpsheesh, when the little finger and thumb is stretched upright, it becomes Mrigasheesh. It depicts clothes, calling the lover, etc.
  • Mayur: In Kartarimukh Hasta, when the ring and thumb are united and the little finger is lifted, it is called Mayur. It is used to describe a peacock, creeper, braid, and so forth.
  • Shuktund: Shuktund hasta is the term for bending the ring finger in Aral hasta. It is used to express flood, wound, shock, etc.
  • Mushti: Mushti is when all four fingers are linked to create a fist and the thumb is placed on top. It is used to express firmness, among other things.
  • Shikhar: Shikhar is when the thumb is raised upwards in Mushti. It is used to represent Kamdeva, bow, determination, etc.
  • Kapittha: Kapittha is when the first finger is bent and linked with the thumb on top in Shikhar hasta. It is used to depict Lakshmi, Saraswati, holding the dupatta and other deities.
  • Katkamukh: Katkamukh is the middle finger beside the index finger. It is used to describe picking flowers, a necklace, a garland, etc.
  • Soochi: When the index finger is lifted upright in Katakamukha hasta, it is called Soochi. It is used to represent one God, the world, rejection, fact/statement, etc.
  • Chandrakala: Chandrakala is when the thumb is extended outward and separated from the other fingers. It is used to represent a crescent, Lord Shiva’s moon on his head, etc.

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Kathak During the Mughal Era

This classical dance form, initially linked to Hindu epics, gained recognition in Mughal courts. In the Mughal courts, the dance took on a more sensual style, departing from its previous religious and spiritual themes. Dancers introduced improvisations to captivate Muslim audiences with sensuous and sexual performances, while still conveying subtle messages, such as the love of Radha-Krishna.

Central Asian and Persian influences began to shape Kathak's repertoire, including changes in costumes, like baring the midriff and using transparent veils akin to those worn by medieval Harem dancers, and incorporating whirling movements seen in Sufi dance. By the time European colonial officials arrived in India, Kathak had evolved into a fusion of ancient Indian classical dance and Persian-Central Asian dance forms, with dancers often referred to as 'nautch girls.'

Kathak Gharanas

Kathak has three distinct traditions: Banaras, Lucknow, and Jaipur Gharanas, named after the cities where they thrived.

  • The Jaipur Gharana emphasizes foot movements, while the Banaras and Lucknow Gharanas prioritize facial expressions and graceful hand movements.
  • In terms of style, Kathak highlights rhythmic footwork complemented by small bells (Ghungroo) in sync with the music.
  • Dancers maintain straight legs and torso, conveying the story through a rich vocabulary encompassing arm gestures, upper body movements, facial expressions, neck and eye movements, and swift turns.
  • The primary focus shifts between the eyes and foot movements, with the eyes conveying the story and the eyebrows contributing to various facial expressions.
  • Sub-traditions differ in their emphasis, with Lucknow style prioritizing acting, while Jaipur style is renowned for its impressive footwork.

Costumes Used by the Kathak Dancers

The costumes used by Kathak dancers are:

  • Initially, the costumes were Saree due to the influence of Hindu traditions.
  • Later, due to Persian influence, anarkali suits accompanied with pyjamas and lehenga-choli formed the costume of Kathak dance.
  • An odhni, tied across from the right shoulder of the performer to its left side towards the waist, is usually found.
  • Also, a waist belt made of zari or meenakari work is used. Thus costumes used are vibrant, colourful and magnificent.
  • There has been a shift in fabric used for costumes. While the initial focus was on silk, more recently, the focus has shifted on to cotton clothes.
  • Vivid face make-up helps highlight the facial expressions of the performer.
  • Males are seen wearing a long kurta & churidar with dupatta wrapped around their waist.
  • Ghungroos’ use in kathak dance is unparalleled.
  • Suitable ornaments on head, a bindi, nose rings, earrings are also worn. Bangles, which were earlier not used, are now worn.
  • More recently, a small cap is seen worn during performances.

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Musical Instruments Used in Kathak Dance Form

The musical instruments used for Kathak dance are:

  • flute or bansuri,
  • dilruba,
  • harmonium,
  • ghungaru,
  • pakhawaj,
  • santur,
  • sarangi,
  • sarod,
  • sitar,
  • surmandal,
  • tabla.

The musicians use Tanpura to create Kathak’s background music.

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Famous Kathak Dancers

The famous dancers associated with Kathak Dance are:

  • Bhanuji
  • Janaki Prasad of the Benaras Gharana
  • Ishwari Prasad of the Lucknow Gharana
  • Shambhu Maharaj of the Lucknow Gharana
  • Raja Chakradhar Singh of the Raigarh Gharana
  • Lachhu Maharaj and Acchan Maharaj
  • Pandit Birju Maharaj
  • Sitara Devi
  •  Roshan Kumari
  • Shovana Narayan
  • Maya Rao and
  • Kumudini Lakhia

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Other Cultural Dance Forms of India

Indian culture consists of seven other classical dances apart from Kathak dance. They are

Other Cultural Dance Forms of India

Dance

States where it is practiced

Bharatnatyam

Tamil Nadu

Sattariya

Assam

Kathakali

Kerala

Odissi

Odisha

Manipuri

Manipur

Mohiniattam

Kerala

Kuchipudi

Andhra Pradesh

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More Articles for IAS Preparation

Kathak Dance UPSC FAQs

The Kathak Ghagra is usually a long skirt worn during Kathak performances.

The origin of kathak dance can be traced to the bhakti movement in 400 BCE

Lord Krishna is the God of Kathak

Kathak is a classical dance.

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